Deleuze - Cinema 1 - 电影原木- 博客大巴
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    Preface to the English Edition

    Wim Wenders - Falsche Bewegung, Faux Mouvement, Wrong Move

    Hitchcock - Mr and Mrs Smith  关系破裂后,元素怎么办呢?

     

    1. Theses on movement First commentary on Bergson


    2. Frame and shot, framing and cutting

    1 The first level: frame, set or closed system

    Hitchcock gives and example of this in Spellbound, when another glass of milk invades the screen, leaving only an empty white image. But, from either side - whether rarefaction or saturation - the frame teaches us that the image is not just given to be seen. It is legible as well as visible.  12

    point of view - Lubitsch  The Man I Killed

    两种out-of-field:Dreyer made this into an ascetic method: the more the image is spatially closed, even reduced to two dimensions, the greater is its capacity to open itself on to a fourth dimension which is time, and on to a fifty which is Spirit, the spiritual decision of Jeanne or Gertrud.  17-18





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